THE CAPITALISTIC FIRE RAISERS THE CAPITALISTIC WORLD OR WELT OR DAS KAPITAL BRANDSTIFTER OR FORTUNE FIREBUGS IS ALL THE SAME MASONIC MASONRY A THING THAT WORK'S WITH KHMER ROUGE MASON'S O NOME DA LOJA NÃO INTERESSA ATÉ PODE SER MOZART

The Capitalist OR DAS KAPITAL Fire Raisers

The Capitalistic Fire Raisers
( in Merckel krautspiegel Krupp &: Biedermann und die Brandstifter),
also known as The Fortunete OR FORTUNATE IF WITHOUT NET ...IN ANY CASE THE Happy Few

or the Firebugs, of Fortune Firebugs,
or The Global Arsonists, was written by the Fat Cat Max Frisch in 1953,

first as a radio play, then adapted for tele vision and the World or die Welt stage
and since play in six hundred little and big scenes. It was revised in 1971 by Nixon to include an epilogue, or afterpiece….the European fail or the European Bust

This dark comedy is set in a EUROPA von EURO that is being regularly attacked by arsonists A LITTLE LIKE THE PORTUGUESE FOREST

Disguised as door-to-door salesmen of submarines and Mercedes and IPod’s Iphodesphodes und irack’s and other rack’s und rackets (hawkers),

IS A RACKETWORLD they talk their way into people’s homes and settle down in the attic, where they set about the destruction of the house
. Written in the years following World War II,BEFORE WORLD WAR IV AND AFTER THE LITTLE COLD WORLD WAR III THE BEGGINING as a metaphor for Nazism and fascism AND COMUNISM AND CAPITALISM ERGO EVERYTHING WITH ISM LIKE ISLAMISM , the play shows how “normal” citizens can be taken in by evil.

The central character, a businessman OR WARMONGER called Biedermann, is seen at the outset reading newspaper reports of arson, convinced that he could never be taken in. Within minutes, the first “hawker” has appeared (Schmitz), and through a combination of intimidation and persuasion he talks his way into spending the night in the attic. As the play unfolds, a second arsonist appears (Eisenring), and before Biedermann can do anything to stop it, his attic is piled high with oil drums full of petrol. He even helps them to measure the detonating fuse and gives them matches, refusing to believe the full horror of what is happening. He soon becomes an accomplice in his own downfall.

The action is observed by a Greek-style chorus of “firemen”,THE GREEK ARE EVERYWHERE and the increasingly surreal flavour culminates in a final scene, the afterpiece, where Biedermann and his wife Babette find themselves at the gates of Hell. Here they once again meet Schmitz and Eisenring who turn out to be Beelzebub and the Devil respectively, who, after becoming angered at the number of mass murderers being allowed to go to Heaven, refuses to conduct a Hell for a “small fry” like Biedermann.

The name Biedermann is itself a play on the German word “bieder” meaning conventional, conservative, worthy, upright and is frequently used in a pejorative or ironic context. Thus the name equates to der biedere Mann or the worthy man.
A MASONIC TYPE OR TIPU SAHIB A MAN OF GOOD MORES OR BONS COSTUMES OR HABIT’S

^THE CIRCUM MEDITERRANEAN WARS ARE ON ......